Palgrave's summary of the book describes it as follows:
"This book of interdisciplinary essays serves to situate the original Sherlock Holmes, and his various adaptations, in a contemporary cultural context. This collection is prompted by three main and related questions: firstly, why is Sherlock Holmes such an enduring and ubiquitous cultural icon; secondly, why is it that Sherlock Holmes, nearly 130 years after his birth, is enjoying such a spectacular renaissance; and, thirdly, what sort of communities, imagined or otherwise, have arisen around this figure since the most recent resurrections of Sherlock Holmes by popular media? Covering various media and genres (TV, film, literature, theatre) and scholarly approaches, this comprehensive collection offers cogent answers to these questions."
My chapter is entitled "I, Too, Mourn the Loss": Mrs. Hudson and the Absence of Sherlock Holmes. This is a synopsis I wrote of the chapter, which can be found on the Springer website:
"This chapter examines the representation of Mrs. Hudson in selected episodes of Sherlock and the 2011 short story “The Adventure of the Concert Pianist” by Margaret Maron, focusing particularly on the questions raised by the representation of ageing female characters, agency, and detection in popular culture. Drawing on a range of critical approaches, the analysis focuses on the similarities and contrasts offered by the two texts, and reflects on the implications for the depiction of Mrs. Hudson in contemporary reimaginings of Sherlock Holmes. The chapter concludes that, despite energetic attempts to revitalize Mrs. Hudson’s character, especially by Maron, the issue of Mrs. Hudson’s representation, and the trivialization of ageing femininity in popular culture, remains pertinent."
The entire book - Sherlock Holmes in Context - is really interesting, and a must-read for anyone interested in the many manifestations of Sherlock Holmes and our continued fascination with this figure.
In writing this chapter, I enjoyed having the opportunity to write about Margaret Maron's brilliant short story “The Adventure of the Concert Pianist”, and to have been able to explore at some length the gender-political dimensions of the character of Mrs Hudson and her representation. I was particularly interested in exploring ideas of femininity, ageing, and detection in both Maron and the BBC series Sherlock.
In fact, Series Four of Sherlock almost seemed to incorporate a response to my critique in the chapter! It certainly attempted to reimagine Mrs Hudson as a much more "badass" character. Although my criticism still stands: the producers may have attempted to "sex up" Mrs Hudson, but that reimagining did specifically not include taking a lead in detection. The domain of detection remained resolutely male. Margaret Maron's short story seeks to challenge the ways in which the definition of detection embodied by Sherlock Holmes serves to marginalise female characters and issues of ageing.
Little Hattie tries to read the chapter #catsofacademia
I also taught Maron's story for the first time this year on my Crime Fiction module, which went really well and made for some interesting discussions in the seminar about the perspectives and angles used by various writers in reworking Sherlock Holmes' character or Conan Doyle's stories.
My research into the figure of Mrs Hudson in Maron's story and Sherlock first saw the light of day three years ago. Yesterday was three years ago to the date that I gave the paper that my chapter eventually was based on. I gave that paper at the highly successful New Directions in Sherlock conference at UCL, organised by the two brilliant Sherlock specialists, Dr Tom Ue and Dr Emily Garside. The conference was immensely interesting, as you can see from the programme here and here, and was attended by 300 delegates. The conference even caught the eye of the newspaper The Times. The paper featured an article about the conference the day after it was held, with the title of "‘Loungers and idlers’ meet for 100 lessons on Sherlock Holmes".
Three years later, my paper has finally appeared in print which is very satisfying. I have previously published on contemporary literary reworkings of Sherlock Holmes, in an article for a special issue on Conan Doyle by the journal Oscholars. I am hoping to do more work in the future on Sherlock Holmes reimaginings.